When Kate L. Turabian first put her famous guidelines to paper, she could hardly have imagined the world in which today’s students would be conducting research. Yet while the ways in which we research and compose papers may have changed, the fundamentals remain the same: writers need to have a strong research question, construct an evidence-based argument, cite their sources, and structure their work in a logical way. A Manual for Writers of Research Papers, Theses, and Dissertations—also known as “Turabian�—remains one of the most popular books for writers because of its timeless focus on achieving these goals. This new edition filters decades of expertise into modern standards. While previous editions incorporated digital forms of research and writing, this edition goes even further to build information literacy, recognizing that most students will be doing their work largely or entirely online and on screens. Chapters include updated advice on finding, evaluating, and citing a wide range of digital sources and also recognize the evolving use of software for citation management, graphics, and paper format and submission. The ninth edition is fully aligned with the recently released Chicago Manual of Style, 17th edition, as well as with the latest edition of The Craft of Research. Teachers and users of the previous editions will recognize the familiar three-part structure. Part 1 covers every step of the research and writing process, including drafting and revising. Part 2 offers a comprehensive guide to Chicago’s two methods of source citation: notes-bibliography and author-date. Part 3 gets into matters of editorial style and the correct way to present quotations and visual material.  A Manual for Writers also covers an issue familiar to writers of all levels: how to conquer the fear of tackling a major writing project. Through eight decades and millions of copies, A Manual for Writers has helped generations shape their ideas into compelling research papers. This new edition will continue to be the gold standard for college and graduate students in virtually all academic disciplines.  

For courses in English and Writing. Emphasizes the importance of style in writing for a global audience Style: Lessons in Clarity and Grace asserts that style is a matter of making informed choices in the service of one's readers. While writers know best what they want to say, readers ultimately decide if they've said it well. This flagship text builds on that premise, with updates on subjects such as gender-neutral writing and writing for global audiences. It brings the authors' innovative approach to the needs of today's students, while maintaining that writing with style is a civic and ethical virtue. Also available with Pearson Writer Pearson Writer is a revolutionary digital tool for writers at all levels. Built for mobile devices, it streamlines the tedious and time-consuming aspects of writing, so that students can focus on developing their ideas. Pearson Writer makes it easy to stay organized, track tasks, and stay on top of writing projects. Students can set milestones prior to the due date, manage their sources, organize their notes visually in the Notebook, and even get automatic feedback on their prose. Pearson Writer is now available with Noteclipper, which allows students to save online sources quickly and easily. Features of Pearson Writer: Writing, Grammar, and Research Guide is a go-to resource any time students have a question or need help. Automatic Writing Review checks prose for possible spelling, grammar, and style errors, while offering grammar lessons and suggestions for revising and editing. Citation Generator keeps track of every source throughout students' research process and builds a bibliography in the background, taking care of those formatting details. Research Database and NoteClipper make searching for and managing source materials easier. Project Manager and Notebook help students stay on top of multiple projects and make organizing ideas and sources less cumbersome. Note: You are purchasing a standalone product; Pearson Writer does not come packaged with this content. Students, if interested in purchasing this title with Pearson Writer, ask your instructor for the correct package ISBN and Course ID. Instructors, contact your Pearson representative for more information. If you would like to purchase both the physical text and Pearson Writer, search for: 013415083X / 9780134150833 Style: Lessons in Clarity and Grace Plus Pearson Writer - Access Card Package Package consists of: 032197235X / 9780321972354 Pearson Writer - Standalone Access Card 0134080416 / 9780134080413 Style: Lessons in Clarity and Grace

"Style: The Basics of Clarity and Grace" reflectsthe wisdom and clear authorial voice of Williams' best-selling book, "Style: Lessons in Clarity and Grace," while streamlining every chapter to create a very brief, yet powerfully direct guide to writing with style. The concise clarity of this book makes it a handy reference for anyone interested in good writing--as well as a quick and ideal guide for freshman composition courses, writing courses across the disciplines, and as a supporting text in courses that require clear and direct writing. "Style: The Basics "covers the elemental principles of writing that will help students diagnose the strengths and weaknesses of their prose quickly and revise effectively. The text features principles of effective prose written in Williams' hallmark conversational style, offering reason-based principles, rather than hard and fast rules, for successful, effective writing.

From Robert Southey to William Morris, British social critics in the Romantic tradition consistently stigmatized industry as a threat to aesthetic or humanistic "culture." Joseph Bizup argues that early Victorian advocates of industry sought to resist the power inherent in this opposition by portraying automatic manufacture itself as a cultural force or agent. He traces the contours of this new proindustrial rhetoric as it coalesced in two mutually reinforcing discourses: the contentious debate over the factory system and its social consequences that raged throughout the 1830s and 1840s, and the extensive discussions of the social and commercial benefits of good design that culminated in the Great Exhibition of 1851.

Through careful readings of a diverse array of texts, including treatises on factories and machinery, medical studies of the working classes, theoretical discussions of the decorative arts, and lectures on the Great Exhibition, Bizup shows that liberal proponents of industry such as Andrew Ure, Charles Babbage, James Phillips Kay, and Henry Cole aestheticized manufacture by interpreting its concrete agents and products--whether they be factory operatives, systems of machinery, mass-produced copies, or elaborately crafted "art manufactures"--as emblems of a prior conceptual unity or beauty. They thus allied industry with culture by portraying industry as one realization of the organic ideal central to the idea of culture. Bizup concludes with an examination of John Ruskin's and William Morris's efforts to counter this sort of rhetorical maneuvering by treating cultured manliness as a figure for the cooperative impulse they both hoped would replace competitive self-interest as society's organizing value.

By showing that culture could not be opposed to industry in any pure or absolute sense, Manufacturing Culture both enriches our understanding of the Victorian debates over industrialization and contributes greatly to the ongoing scholarly exploration of the complex genealogy of our modern concept of culture.